Contractor Blues

I’m going back to bed. If you need me, I’ll be in my blanket burrito. 

The very, very, very worst part about adulting? Hiring contractors. I’ve had discussions with a gazillion (a flexible mathematical term that currently means six). Four of them said some version of “Yeah, I can’t help you. I only do this one thing and it’s not the thing you need. Why don’t you try X contractor? They definitely do that thing you definitely need.” 

The job itself is hardly unique. Our front steps are pulling away from the house. Mudjacking — I find it hilarious that I know what that term means — won’t work because the concrete is deteriorating. But no one, it seems, wants to demolish and rebuild our front stoop. 

One contractor said he’d come out but then didn’t. He did, however, email me a quote, possibly based on a picture from Google maps, that clearly showed he didn’t listen to anything I said to him on the phone. He actually quoted wrought iron railings to replace my brick handrails. 

First, I don’t hate myself enough to sign up for years of nearly annual railing painting. Second, if I change the railings, as I told him, I’ll have to file with the historic society for permission. I’ve never hated anyone enough for the double-whammy of wrought iron railings AND filing for approval from the mysterious and super secret historical society. I mean, what if I have to make some sort of animal sacrifice in exchange for iron railings? 

That contractor’s bid is also the physical proof of the “get three bids” advice. It’s so far above the other bids that it’s clear he thought “I don’t really want this job unless she’s stupid enough to accept this quote.” A second contractor came out last Friday and was great — helpful, enthusiastic about the existing design, and interested in improving things. He even pointed out an error in the original design that I never noticed and now will never be able to unsee (so thanks for that). Unfortunately, even the lowest bid was higher than I expected by a solid $3,000. Should I be surprised that things cost more than I want them to?!

I like to do a lot of the work myself, as you may know from past posts, but I’m not pouring concrete or trimming trees, which is the next project on the list. All but one of the trees are upwards of three stories tall and I dislike agonizing pain too much to dangle from a large tree while I saw off a limb — that we don’t know right now whether that limb would be human or tree just underscores what a bad idea it is. 

The tree trimming is essential. I personally saw squirrels carrying their suitcases across the tree limb bridge to the attic and I am not living with any more squirrels. They are the worst tenants I’ve ever had: playing some weird middle of the night hopscotch, chewing the loudest kettle crunch SOMETHING at 5AM, inviting more squirrels to move in even though their rental agreement limits residency to two squirrels, forever trying to pay their rent in acorns. They’re just the worst. 

On top of that, my next door neighbor, who, as I’ve mentioned before, is in his 90s, climbed out onto his roof to clean off the leaves left behind by MY tree. I spent a solid 15 minutes trying not to panic-watch him, as though somehow watching him will prevent a tumble from the porch roof. He did not fall, but I managed to make myself an anxious mess.

Someone will read this and ask why I don’t volunteer to clean the leaves off his roof. You could only ask me that if you’ve never had an independent 90-something neighbor. I made the mistake once of shoveling his sidewalk because I was outside already. He came out and scolded me like it was this past February in Texas and he was melting the snow to flush his toilets. So, instead of offering to clean his roof, I’m going to the source of the problem. HA 

Moving on …. There was a man painting a house — not painting a house (“miners, not minors”) — on our street during one of the nice weather spells recently and he wants to paint ours. He doesn’t need permission, of course, but I suspect that it’s less weird to talk with owners before setting up your easel in front of their houses. I imagine that can get kind of awkward. 

Anyway, the artist was painting the castle house the day he and I talked. It’s three doors up the street from us and has a round room with a turret. Yes, a turret. It’s a big stone house with a wrap-around stone porch and a three-story turret. The owners are really nice, genuine people who occasionally throw very loud parties to which the neighborhood is NEVER invited. (Isn’t that a violation of the neighborhood rules?) 

Apparently, they don’t know how much I want to see the inside of that turret! (I suspect that if I asked, they’d take me on a tour but I will not, in this lifetime, be that nosy. My sister’s lovely, long-suffering husband would disagree but I actually do have boundaries.) I did ask to see the finished oil painting and it’s just lovely. 

In other news, a lot is happening with my YA story. I usually write linearly but this time I wrote scenes in no order at all. Now, I’m sewing these individual events together, kind of like a quilt. It’s a lot of work without the very satisfying endorphin boost from a significant increase in word count but I can really see the story forming, which is fun and, honestly, a big relief. What if, after all this writing, I couldn’t figure out how to pull the story together?! Yikes. 

Thankfully, that’s not the case. Of course, there’s a lot more work to do before draft one is finished and after that, I’ll need to do a full read-through to see how well the story holds together, where I need to fix, enhance, delete, etc. I already have a bunch of notes about correcting things I changed. For example, I added a dog to the story a solid 10 chapters in which means those first 10 chapters have to change.

Did you recognize the “miners, not minors” reference? If you did, you probably read it in the incomparable Alan Rickman’s voice. The movie is Galaxy Quest, a wonderful homage to Star Trek and the entirety of the cosplay world. It’s funny, sweet, tender, and hilarious. 

Are you vaccinated yet? If not, please talk to your healthcare provider. For someone in your life, the world is a better place with you in it and the vaccine will increase the likelihood of you staying around a bit longer. Get vaccinated for them, if not for you.. 

Please remember that some people will keep wearing a mask. And you know what? That’s okay. Be safe. Be kind. 

Back to my blanket burrito ….

Contractor Blues

Shadow and Bone?

Have you watched Shadow and Bone on Netflix? When the book series was purchased, there was a lot of talk about how white the books were. This is a common conversation. Writers are generally encouraged to “write what we know,” which adds to authenticity of voice, place, etc. Unfortunately, that absolutely leads white authors to write books that are predominantly white. 

When white writers want to include non-white characters, we are cautioned by BIPOC to GET HELP with the character development and writing. (There are literally sensitivity BETA readers who will read your book draft for bias, problematic representation, etc.) White people know much less about BIPOC than we think we do. How many times have you read a book written by a white author who describes their Black character as a type of food — chocolate eyes, caramel skin? Can you imagine reading a book with white characters described similarly — “skin the color of strawberry frosting”? 

Okay, that made me laugh so much that I have to describe myself in food terms. Here goes:  Her deep-set blue raspberry kool-aid eyes were the only color in a cream cheese face dotted with raisins. NAILED IT. Get the point? It’s hurtful and wrong to write about people and cultures without doing the work to make that inclusion authentic. 

So, Shadow and Bone needed to become less white. How did the development team do that? Did they put in the necessary work to add cultures authentically? No. No, they did not. Instead, they added racism to the story, Asian racism, with deeply troubling racist tropes that I’m not going to repeat here. 

That’s more than disappointing. It’s anti-anti-racism. Nothing says white privilege like adding a big heaping spoonful of racism to make a story less white. It’s ridiculously tone deaf in the current environment; and Netflix, in their sprint to Oscar relevancy (as awards continue their slide to obscurity), should have considered that there are many obvious and effective ways to make the series less white without racism. 

Early in my writing journey, I started writing a fictionalization of a sweet story a teacher told me about a Black child who took a tomato home to share with his family. I got a solid 15,000 words into it before I had traveled far enough on MY journey to realize that it was not my story to tell. 

It is essential that white writers make space at the table — build a new table if the one you’re at isn’t big enough — for BIPOC writers. That’s one reason why, for those of you who are uninitiated in the publishing controversies of the moment, there has been much criticism of Simon & Schuster for agreeing to publish books written by famous people who are racist. There is no need to amplify racist views and doing so tells BIPOC that there isn’t really a place at the table for them.

Since publishers are, frankly, in it for the money, an excellent way for us to support and promote inclusion is to amplify books by non-white authors. Check them out. Literally. Go to your local library and check them out. Or buy them. Or listen to the audio books. Add them to your Goodreads “want to read” list. Show publishers that you are interested in stories told by people who don’t look like you. Here are three (of many) kidlit books by BIPOC authors coming out this month: 

  • Counting Down With You by Tashie Bhuiyan
  • Last Gate of the Emperor by Kwame Mbalia & Prince Joel Makonnen
  • The Ones We’re Meant to Find by Joan He

Not interested in these? Try something by Angeline Boulley or Cherie Dimaline. 

In additional writing news, my story has taken a turn. I can’t discuss it because that would give away important plot details but even I was surprised. It seems likely that there are more twists coming. I can say that my protagonist’s best friend, who is chaotic neutral, is going to play a much more significant role than I initially thought and, honestly, I’m here for that.

My virus poem did not get into the anthology. As promised, I’ll share it in a separate post soon. Actually, given the very large number of entries, I’m surprised that the Public Poetry team chose a small number of poems for their collection. I think I would have published a longer chapbook (even without my entry!) because pandemic art and literature will be a piece of our history, like our vaccine cards and our masks.

LeVar Burton coined a term that I hope will catch on: community immunity. He suggests, and I agree, that language matters in the effort to get people vaccinated. We’re not cows; we’re people. Working together, we can give community immunity to those who cannot be vaccinated.

Get your shot or shots. Wear your mask. Help get us to community immunity.

Much love. 

Shadow and Bone?